As an artist, my medium is printmaking and digital media.  My work explores themes of gender, culture identity and inspired by social justice movements.   

For inquiries or to say hello, please email


Dallas, Texas

Angela Faz is printmaker and digital media artist.  Her work explores themes of gender, culture identity and inspired by social justice movements.  Her work has been featured by KERA, D Magazine, The Texas Standard, and others. She has exhibited at Kettle Art and Latino Cultural Center in Dallas, and venues beyond Dallas include the Monotype Guild Exhibition at the Attleboro Arts Museum, Hooker-Dunham Gallery in Brattleboro Vermont and Tracey Gallery in Portland,Oregon, among others. And in 2016, she was selected for two juried exhibitions, Hecho En Dallas and the 4th National Monotype Juried Exhibition at Attleboro Arts Museum in Massachusetts.

Transmission Reentry, SP/N Gallery, Richardson, TX

Dallas Piranha Printmakers, Mighty Fine Arts, Dallas, TX
Mask Off, South Dallas Cultural Center, Dallas, TX
Decolonize Dallas, West Dallas Multipurpose Center, Dallas, TX
PrintAustin, The Canopy, Austin, TX
MASTER WORKS, Kenneth Johnson Gallery , Dallas, TX
Art y Pan Dulce, The Meet Shop, Dallas, TX

Noche de Caleveras, Juried Exhibition, LCC, Dallas, TX
Hecho En Dallas, Juried Exhibition, LCC, Dallas, TX
4th National Monotype Juried Exhibition, Attleboro, MA
For the Love of Kettle, Kettle Art Gallery, Dallas, TX

Savage Impressions, Mighty, Fine Arts, Dallas, TX
1000 Woodcuts, Las Vegas, NV
ImPRESS, Juried Show, Frisco, TX

Day of the Dead presented by Tonantzin Society, Juried Show, Topeka, KS
Wrecked, Art Conspiracy, Dallas, TX

Small Works, Kettle Art, Dallas, TX
Mounted, Life in Deep Ellum, Dallas, TX
UV8, Club Dada, Dallas, TX

2012          Sight Unseen: New Works by Women, Portland, OR
2011           Paper Girl Portland, Tracey Gallery, Portland, OR
2010          Over The Rainbow, Hooker-Dunham Gallery, Brattleboro, VT
                  Visions Exhibit, Women’s Film Festival, Brattleboro, VT
2009         Art for Darfur, Meadows School of the Arts, Dallas, TX
2008         View, The Belmont Gallery, Dallas, TX
                   Nancy George and Bess, DEEP Association, Dallas, TX
2007         Scarcity and Abundance, City Gallery, Dallas, TX
                  Artvocacy, Latino Cultural Center, Dallas, TX
2006         6 x 6, Kettle Art Gallery, Dallas, TX
                  Rara Figura, Nine Eyes, Dallas, TX

2009 Denomination, Magnolia Gallery, Dallas, TX

2010 Visions Exhibit. Women’s Film Festival, Brattleboro, VT

2018       Creative - Mother’s Against Police Brutality  - Dallas, TX
2017       Keynote Speaker - Dallas Cultural Equity Workshop  - Dallas, TX
2017       Creative - Texas Organizing Project  - Dallas, TX
2009      Beneficiary Committee Juror, Art Conspiracy - Dallas, TX
2006-16  Web Designer - Art Conspiracy - Dallas, TX

2018       Arquetopia Foundation and International Artist Residency, Puebla, Mexico
2017       Artpace resident candidate, International Artist-in-Residence, San Antonio, TX

Transmission Reentry
Jennifer Smart. Transmission Reentry Reveals the Material of Soft Power

Mask Off
Lyndsay Knecht. Fifty Artists Go ‘Mask Off’ At South Dallas Cultural Center. D Magazine

Decolonize Dallas
Lyndsay Knecht. Why Did the City of Dallas Censor (and then Reinstate) a Public Art Project It Helped Fund?  Texas Observer

Lyndsay Knecht. Exploring Art, Censorship, and Decolonization Through the Lens of Dallas. D Magazine

Hady Mawajdeh. A West Dallas Arts Kerfuffle. KERA Art&Seek.

Hady Mawajdeh. Artists ‘Decolonize Dallas’ With a ‘Super Fantasy Mercado’. KERA Art&Seek.

Art y Pan Dulce
Ariana Vera. Five Artists To Know From Arte Y Pan Dulce, A POC Art Show.  KERA Art&Seek.


Angela Faz. Decolonize Dallas: Angela Faz On Her West Dallas Installation.KERA Art&Seek

2017           Kazuko Goto. Japanese Woodblock course, Crow Collection, Dallas, TX
2016           Dr. Scott Trent. Art Welding, DCCD, Dallas, TX
2014           Sabrina Hofstetter, Darwing course, DCCD, Dallas, TX
2012           Jerry Sumpter. Painting course. PNCA, Portland, OR
2005           Bachelor of Art, Visual Communication, Collins College, Phoenix, AZ

Artist Statement

Raised in the Ledbetter neighborhood in West Dallas, I found the inspiration of the industrial landscape and its inhabitants to be the catalyst for my work. Reflecting my interest in the peoples and the mythologies accompanying them, I create commentary using old hand methods such as woodcuts in the tradition of José Guadalupe Posada to give voice to current events and highlight the intersections of race, class, and gender. My works are best described as deceptively calm but interlaced with coraje.