Angela Faz is printmaker and digital media artist. Her work explores themes of gender, culture identity and inspired by social justice movements. Her work has been featured by KERA, D Magazine, The Texas Standard, and others. She has exhibited at Kettle Art and Latino Cultural Center in Dallas, and venues beyond Dallas include the Monotype Guild Exhibition at the Attleboro Arts Museum, Hooker-Dunham Gallery in Brattleboro Vermont and Tracey Gallery in Portland,Oregon, among others. And in 2016, she was selected for two juried exhibitions, Hecho En Dallas and the 4th National Monotype Juried Exhibition at Attleboro Arts Museum in Massachusetts.
2017 Kazuko Goto. Japanese Woodblock course, Crow Collection, Dallas, TX
2016 Dr. Scott Trent. Art Welding, DCCD, Dallas, TX
2014 Sabrina Hofstetter, Darwing course, DCCD, Dallas, TX
2012 Jerry Sumpter. Painting course. PNCA, Portland, OR
2005 Bachelor of Art, Visual Communication, Collins College, Phoenix, AZ
Dallas Piranha Printmakers, Mighty Fine Arts, Dallas, TX
Mask Off, South Dallas Cultural Center, Dallas, TX
Decolonize Dallas, West Dallas Multipurpose Center, Dallas, TX
PrintAustin, The Canopy, Austin, TX
MASTER WORKS, Kenneth Johnson Gallery , Dallas, TX
Art y Pan Dulce, The Meet Shop, Dallas, TX
Noche de Caleveras, Juried Exhibition, LCC, Dallas, TX
Hecho En Dallas, Juried Exhibition, LCC, Dallas, TX
4th National Monotype Juried Exhibition, Attleboro, MA
For the Love of Kettle, Kettle Art Gallery, Dallas, TX
Savage Impressions, Mighty, Fine Arts, Dallas, TX
1000 Woodcuts, Las Vegas, NV
ImPRESS, Juried Show, Frisco, TX
Day of the Dead presented by Tonantzin Society, Juried Show, Topeka, KS
Wrecked, Art Conspiracy, Dallas, TX
Small Works, Kettle Art, Dallas, TX
Mounted, Life in Deep Ellum, Dallas, TX
UV8, Club Dada, Dallas, TX
2012 Sight Unseen: New Works by Women, Portland, OR
2011 Paper Girl Portland, Tracey Gallery, Portland, OR
2010 Over The Rainbow, Hooker-Dunham Gallery, Brattleboro, VT
Visions Exhibit, Women’s Film Festival, Brattleboro, VT
2009 Art for Darfur, Meadows School of the Arts, Dallas, TX
2008 View, The Belmont Gallery, Dallas, TX
Nancy George and Bess, DEEP Association, Dallas, TX
2007 Scarcity and Abundance, City Gallery, Dallas, TX
Artvocacy, Latino Cultural Center, Dallas, TX
2006 6 x 6, Kettle Art Gallery, Dallas, TX
Rara Figura, Nine Eyes, Dallas, TX
2009 Denomination, Magnolia Gallery, Dallas, TX
2017 Artpace resident candidate, International Artist-in-Residence, San Antonio, TX
2005-16 Web Designer - Art Conspiracy - Dallas, TX
2010 Curator. Visions Exhibit. Women’s Film Festival, Brattleboro, VT
2009 Beneficiary Committee Juror, Art Conspiracy - Dallas, TX
Lyndsay Knecht. Fifty Artists Go ‘Mask Off’ At South Dallas Cultural Center. D Magazine
Lyndsay Knecht. Why Did the City of Dallas Censor (and then Reinstate) a Public Art Project It Helped Fund? Texas Observer
Lyndsay Knecht. Exploring Art, Censorship, and Decolonization Through the Lens of Dallas. D Magazine
Hady Mawajdeh. A West Dallas Arts Kerfuffle. KERA Art&Seek.
Hady Mawajdeh. Artists ‘Decolonize Dallas’ With a ‘Super Fantasy Mercado’. KERA Art&Seek.
Art y Pan Dulce
Ariana Vera. Five Artists To Know From Arte Y Pan Dulce, A POC Art Show. KERA Art&Seek.
2017 Angela Faz. Decolonize Dallas: Angela Faz On Her West Dallas Installation.KERA Art&Seek
Born and raised in West Dallas, Angela Faz learned early to be resourceful, and from that sprang a talent for discovering and creating art no matter where life took her: her girlhood kitchen table in West Dallas, a gas station in Phoenix, a folk musician’s four-door Mazda-turned-touring-bus zooming across the country, the marketing department of a TV evangelist, a farm in Vermont, a high-rise office building surrounded by the trappings of corporate America.
As a Latinx from Texas, Angela found that art helped her imagine a different, bigger future for herself. Her love for art started early when she began recycling tempera construction paper creations into new works in elementary school. Then followed four years at Dallas arts magnet school, where she discovered a passion for printmaking in Polly Diskey’s class while listening to Pink Floyd. The influence of Booker T.’s tight-knit and ethnically diverse culture continues to be a catalyst for her work with race, place and gender.
After high school, Angela hit the bricks. Destination: Everywhere, U.S.A. Over the next several years, she picked up invaluable experiences and a colorful assortment of odd jobs — among them Whole Foods cashier, cigar shop clerk and sheetrock repairer — that paid for rent and art supplies. But by the early 2000s, she knew it was time to get serious. In 2002, she packed her belongings neatly into a recycled produce box and moved to Phoenix to attend Collins College, where she majored in visual communication and minored in graphic design.
After completing her bachelor’s degree in 2005, Angela moved back to Dallas. While working day jobs as a designer, she steadily built her presence in the city’s art world at night, and in 2009 presented her first solo show, Denomination, at the Magnolia Theater. She also became heavily involved in Art Conspiracy, a Dallas-based nonprofit group that strives to unite artists and musicians and encourage regional creative programs and causes. She dedicated herself fully to the group’s mission, including serving as an executive team member for many years.
In 2009 year, Angela packed up her bags and chased a girl — now her wife — to Vermont. There, while reveling in the joy of experiencing four distinct seasons (and developing an even greater fondness for maple syrup) she organized the Vision, an exhibition featuring 20 New England female artists’ work that benefited the Women's Freedom Center. She then spent TK glorious years in Portland, Oregon, where she joined the Flight 64 printmaking collective and began making monotypes again. It was there that she designed and prototyped Smart's SmartCentral application center, an experience that ignited her passion for user-centric design.
Angela returned to Dallas in 2012 to be closer to her parents. Over the years, her corporate work had introduced her to user experience design. She took quickly to the discipline, which blends her empathy for people with her keen artistic eye and which she’s honed at such companies as American Airlines, Trend Micro and AT&T.
Angela loves the challenge of finding beautiful ways to solve 9-to-5 problems, but her nights and weekends belong to pure art. An active community member, she donates her time raising awareness for and participating in the non profit initiatives such as Texas Organizing Project, or the annual Visual Speedbump tour, where she debuted her fabulous Flamicorn — a whimsical flamingo-unicorn hybrid decoration.
That whimsy informs many of Angela’s pieces, which include explorations of gender and culture identity and are inspired by pop-culture, graffiti, and music. Though her medium of choice is printmaking, she also has created powerful pieces using typography, illustration, animation and sculpture. Her work has appeared in dozens of exhibitions across the country. She’s been featured in shows hosted by Kettle Art and Latino Cultural Center in Dallas, and venues beyond Dallas include the Monotype Guild Exhibition at the Attleboro Arts Museum, Hooker-Dunham Gallery in Brattleboro Vermont and Tracey Gallery in Portland, Oregon, among others. And in 2016, she was selected for two juried exhibitions, Hecho En Dallas and the 4th National Monotype Juried Exhibition at Attleboro Arts Museum in Massachusetts.
Always a student, she is currently exploring metal art in Scott Trent’s consortium in the Cedars. She lives in Dallas’ Oak Cliff neighborhood with her wife, Courtney, their two fabulous cats and one heart-meltingly cute dog.